@article {3191185, title = {La colonne de lumiere}, journal = {La Regle d{\textquoteright}Abraham}, volume = {46}, year = {2024}, pages = {65-78}, abstract = {

The article presents the life and legacy of Rabbi Shimon bar Yochai, one of the most important figures in Judaism. Living in the 2nd century CE, during a period of intense Roman persecution, he was forced to hide in a cave for thirteen years with his son, Rabbi Eleazar, to escape the Romans who wanted to put him to death.

During his stay in the cave, he studied the Torah and received teachings from the prophet Elijah. After emerging, he underwent a profound spiritual transformation, moving from a strictly contemplative vision to a more concrete engagement in community life. He founded a yeshiva in Tekoa and became one of the greatest teachers of his time.

Tradition attributes to him the authorship of the Zohar, the major work of Jewish mysticism. His death is celebrated as a moment of intense joy (Hilloula) during the festival of Lag Ba{\textquoteright}omer, the 33rd day of the Omer. According to tradition, on the day of his death, he revealed to his disciples the deepest secrets of the Torah, surrounded by mystical flames.

Even today, thousands of people gather each year in Meron, his burial place, to celebrate his memory by lighting bonfires and dancing, thus perpetuating the tradition of one who is considered a "column of light" connecting the earthly world to the heavenly world.

}, url = {file:///D:/YM_Documents/1\%20\%D7\%99\%D7\%94\%D7\%95\%D7\%93\%D7\%94/\%D7\%9E\%D7\%90\%D7\%9E\%D7\%A8\%D7\%99\%D7\%9D\%20\%D7\%A1\%D7\%95\%D7\%A4\%D7\%99/La\%20colonne\%20de\%20lumiere.pdf}, author = {Yehuda Moraly} } @article {3185203, title = { העולם הוא כתב סתרים שעלינו לפענח או: קווים לדמותו של התיאטרון האמוני של פול קלודל }, journal = {תיאטרון}, volume = {51}, year = {2024}, pages = {199-214}, author = {Yehuda Moraly} } @article {3156971, title = {Juda\ïsme et souffrance animale}, journal = {La Regle d{\textquoteright}Abraham }, year = {2023}, pages = {21-32}, abstract = {

Le film de propagande Der Ewige Jude (Le Juif {\'e}ternel, 1940) sign{\'e} par Fritz Hippler mais con{\c c}u et dirig{\'e} par Joseph Goebbels lui-m{\^e}me pr{\'e}sente une liste, croissante en gravit{\'e}, des m{\'e}faits commis par l{\textquoteright}ennemi supr{\^e}me, le peuple juif, tout au long de l{\textquoteright}histoire et dans la r{\'e}alit{\'e} contemporaine. De terribles m{\'e}faits qui justifient amplement son extermination, prof{\'e}r{\'e}e par Hitler {\`a} la fin du film, dans un discours {\`a} la Reichstag, le 30 janvier 1939. De tous les crimes dont on accuse le {\guillemotleft}\ Juif {\'e}ternel[1]\ {\guillemotright}, le plus atroce est la cruaut{\'e} suppos{\'e}e du peuple juif envers les animaux. Une insupportable et longue s{\'e}quence montre, en temps r{\'e}el, les abatteurs rituels du ghetto de Lodz d{\'e}filer le couteau {\`a} la main avant d{\textquoteright}{\'e}gorger des vaches. La s{\'e}quence est terrible {\`a} voir. Elle provoqua des {\'e}vanouissements dans les salles o{\`u}, en 1940, le film {\'e}tait projet{\'e}. Les vaches {\'e}gorg{\'e}es par des abatteurs souriants se d{\'e}battent longtemps, en gros plan, dans leur sang. Le discours d{\textquoteright}Hitler, qui suit imm{\'e}diatement, r{\'e}clamant l{\textquoteright}extermination du peuple juif en tant qu{\textquoteright}acte d{\textquoteright}auto-d{\'e}fense, appara{\^\i}t alors comme totalement justifi{\'e}. D{\textquoteright}ailleurs, l{\textquoteright}interdiction de l{\textquoteright}abattage rituel juif fut, le 21 avril 1933, une des premi{\`e}res lois antis{\'e}mites promulgu{\'e}es par le r{\'e}gime nazi.

M{\^e}me aujourd{\textquoteright}hui, le sujet de la cruaut{\'e} de l{\textquoteright}abattage rituel, juif ou musulman, continue de pr{\'e}occuper. Nombreux sont les pays europ{\'e}ens interdisant cet abattage en raison de la souffrance qu{\textquoteright}il entra{\^\i}ne\ : Belgique, Su{\`e}de, Norv{\`e}ge, Islande, Danemark, Slov{\'e}nie, d{\textquoteright}autres encore. Le texte qui suit va s{\textquoteright}interroger sur le rapport de la loi juive {\`a} la souffrance animale, le\ Tsaar baal{\'e} ha{\"\i}m, une souffrance qui, de mani{\`e}re plus g{\'e}n{\'e}rale, dans la Soci{\'e}t{\'e} industrielle contemporaine a pris des proportions effroyables et g{\'e}n{\'e}ralement occult{\'e}es[2].

[1] C{\textquoteright}est la mani{\`e}re dont en allemand on d{\'e}signe le Juif errant.

[2] 80 milliards de b{\^e}tes sont abattues annuellement dans le monde pour l{\textquoteright}industrie alimentaire. 115 millions de b{\^e}tes sont tu{\'e}es chaque ann{\'e}e dans le cadre de l{\textquoteright}exp{\'e}rimentation animale. Le film r{\'e}cent de Caroline du Saint et Damien Vercaemar, L{\textquoteright}usine des animaux, 2022, montre l{\textquoteright}ampleur et la cruaut{\'e} de cet {\'e}levage industriel.

}, author = {Yehuda Moraly} } @article {3145744, title = {Evangelical Prophet of Zion}, journal = {Segula}, year = {2023}, pages = {14 - 28}, abstract = {Even before Herzl dreamed of a Jewish state,
Evangelical minister William Hechler was meeting
with pioneering Zionists in Odessa. Calculating
that redemption would begin in 1897, the same
year as the first Zionist Congress, Hechler lent
a hand by arranging an audience for Herzl with
Kaiser Wilhelm II. Who was the Zionist visionary{\textquoteright}s
Christian sidekick, and what were his motives?}, author = {Yehuda Moraly} } @article {3142738, title = {הנביא הנוצרי של מדינת היהודים}, journal = {Segula}, year = {2023}, pages = {14-25}, abstract = {

האיש שמוזכר יותר מכל האחרים ביומנו של הרצל הוא כומר אוונגליסטי. אמונתו הנוצרית של ויליאם הכלר הובילה אותו לציונות. הוא קידם אותה בהתלהבות דתית והעמיד לרשותה את קשריו האריסטוקרטיים. מדוע שמו של הנוצרי שחזה את המדינה לפני חוזה המדינה לא מונצח - ולו בשם של סמטה צרה - במדינה שאותה חזה.

}, author = {Yehuda Moraly} } @article {3140990, title = {המחזה שביטא זקיפות קומה יהודית עוד לפני הולדת הציונות}, journal = {Makor Rishon}, year = {2022}, abstract = {

אברהם גולדפאדן הקים את תיאטרון היידיש הראשון בשלהי המאה ה־19, ויצירותיו הן אוצר היסטורי שמשקף את החיים היהודיים באותה תקופה. המחזה "בר כוכבא", שיוצג בשבוע הקרוב לראשונה בעברית, ביטא זקיפות קומה יהודית שנים ספורות לפני הולדת הציונות.

}, url = {https://www.makorrishon.co.il/writer/\%d7\%99\%d7\%94\%d7\%95\%d7\%93\%d7\%94-\%d7\%9e\%d7\%95\%d7\%a8\%d7\%9c\%d7\%99/}, author = {Yehuda Moraly and Sara Moraly} } @article {3140464, title = {LES PROPH\ÉTIES D\&$\#$39;ELDAD ET MEDAD SELON LE TARGOUM JONATHAN BEN OUZIEL}, journal = {La Regle d{\textquoteright}Abraham }, volume = {44}, year = {2022}, pages = {25-40}, abstract = {Eldad et Medad sont deux proph{\`e}tes dont on ne parle pratiquement jamais. Il est vrai que leur apparition dans le texte biblique se r{\'e}duit {\`a} un verset : Deux de ces hommes {\'e}taient rest{\'e}s dans le camp, l{\textquoteright}un nomm{\'e} Eldad, le second Medad. L{\textquoteright}esprit se posa {\'e}galement sur eux, car ils {\'e}taient sur la liste, mais ne s{\textquoteright}{\'e}taient pas rendus {\`a} la Tente ; et ils proph{\'e}tis{\`e}rent dans le camp.5 Qui {\'e}taient Eldad et Medad ? Quelles {\'e}taient les proph{\'e}ties qu{\textquoteright}ils ont {\'e}nonc{\'e}es ? Le texte biblique ne nous en dit rien. Le Talmud, le Midrash nous apportent quelques informations {\textendash} et surtout un texte, le Targoum Jonathan ben Ouziel d{\'e}nomm{\'e} par les chercheurs, Targoum Pseudo Jonathan, point sur lequel je reviendrai plus tard.} } @article {3140987, title = {לפיד באפלה}, journal = {Makor Rishon}, year = {2022}, abstract = {

מבצע לפיד, שבו נחתו כוחות הברית בחופי אלג{\textquoteright}יריה, היה התבוסה הראשונה שנחלו הנאצים. הוא הצליח בזכות תושייתה ואומץ ליבה של מחתרת יהודית מקומית, שלא זכתה עד היום להכרה מספקת

}, url = {https://www.makorrishon.co.il/judaism/542669/}, author = {Yehuda Moraly and Sara Moraly} } @article {3095187, title = {מבוא למחזה הגטו החדש}, journal = {במה}, volume = {287}, year = {2022}, pages = {170-175}, abstract = {

המאמר הזה מהווה מבוא לתרגומו העברי של המחזה שכתב תיאודור הרצל\ הגטו החדש.

}, author = {יהודה מורלי} } @article {3188326, title = {Le rouleau d\’Esther et le miroir du monde}, journal = {La R{\`e}gle D{\textquoteright}Abraham}, volume = {43}, year = {2021}, pages = {59 {\textendash} 75}, abstract = {La Meguilat Esther (le Rouleau d{\textquoteright}Esther) est un texte de quelques pages, dix chapitres tr{\`e}s courts (neuf chapitres dans les Bibles chr{\'e}tiennes o{\`u} le dixi{\`e}me chapitre est inclus dans le neuvi{\`e}me). Sa lecture rituelle pendant la f{\^e}te de Pourim (14 ou 15 Adar, selon l{\textquoteright}endroit o{\`u} elle se c{\'e}l{\`e}bre)1 peut prendre moins d{\textquoteright}une demi-heure. Or, ce texte court contient des th{\`e}mes qui sont toujours d{\textquoteright}une br{\^u}lante actualit{\'e}. Le Rouleau d{\textquoteright}Esther est un {\guillemotleft} grand miroir du monde {\guillemotright}, une {\oe}uvre qui, au-del{\`a} de l{\textquoteright}histoire sp{\'e}cifique qu{\textquoteright}elle raconte, s{\textquoteright}ouvre vers l{\textquoteright}universel.}, url = {file:///C:/Users/OWNER/Downloads/LRA_43_Le_Rouleau_dEsther_et_le_miroir_d.pdf}, author = {Yehuda Moraly} } @article {2500071, title = {האף הארוך של הקולנוע הצרפתי}, journal = {Segula}, year = {2021}, pages = {14-23}, abstract = {

המאמר מתאר את הקשר בין התעמולה הגרמנית הישירה לתעמולה של צרפת הכבושה דרך הקולנוע.
המאמר מנתח כמה סרטים איכונים שנחשבים לסרטי דגל של אותה תקופה. המאמר מראה את הנוכחות בתוך הסרט של דמות שלא מוצג כיהודי, אבל בעל מאפיינים הדומים לתעמולה האנטישמית הישירה, כמו למשל:
Les Visiteurs du Soir, Les Enfants du Paradis, Volpone etc.

} } @article {3047473, title = {L\’Enfant aim{\'e} ou je joue {\`a} {\^e}tre une femme mari{\'e}e (1971) :moyen-m{\'e}trage disparu (et retrouv{\'e}) de Chantal Akerman}, journal = {Continuum}, year = {2020}, pages = {250-257}, abstract = {Analysis of the second\ Chantal Akerman film -\ L{\textquoteright}Enfant aim{\'e} ou je joue {\`a} {\^e}tre une femme mari{\'e}e (1971), Film which has disappeared and now has been discovered and analyzed for the first time.}, url = {https://www.researchgate.net/publication/349376277_L{\textquoteright}enfant_aime_ou_je_joue_a_etre_une_femme_mariee}, author = {Yehuda Moraly} } @article {322142, title = {Wagner and Hitler}, journal = {Segula}, year = {2019}, pages = {51-61}, abstract = {Can a clear path be sketched from Wagner{\textquoteright}s music to Auschwitz? Can one artist{\textquoteright}s work shape history? Wagner{\textquoteright}s oeuvre was beloved by Hitler and played in the concentration camps, accompanying unspeakable acts of cruelty. But is that the composer{\textquoteright}s fault?}, url = {https://www.academia.edu/40868586/Wagner_and_Hitler}, author = {Yehuda Moraly} } @article {87048, title = {Le cirque de poche de Jeannine Worms}, journal = {A la Page}, year = {2019}, pages = {38-43} } @article {322146, title = {Un James Bond m{\'e}taphysique}, journal = {Cahiers de la Com{\'e}die Fran{\c c}aise}, year = {2019}, url = {https://www.comedie-francaise.fr/en/news/un-james-bond-metaphysique$\#$}, author = {Yehuda Moraly} } @article {322145, title = {Un vaccin contre le d\ésespoir, Herzl et le Tikoun Olam dans Altneuland}, journal = {Pardes}, year = {2019}, pages = {89-102}, author = {Yehuda Moraly} } @article {322143, title = {פתרון סופי לעלילה אופראית}, journal = {סגולה}, year = {2019}, pages = {13-3}, url = {https://www.academia.edu/40870114/\%D7\%A4\%D7\%AA\%D7\%A8\%D7\%95\%D7\%9F_\%D7\%A1\%D7\%95\%D7\%A4\%D7\%99_\%D7\%9C\%D7\%A2\%D7\%9C\%D7\%99\%D7\%9C\%D7\%94_\%D7\%90\%D7\%95\%D7\%A4\%D7\%A8\%D7\%90\%D7\%99\%D7\%AA}, author = {יהודה מורלי} } @article {322144, title = {קרקס הכיס של ז\&$\#$39;אנין וורמס}, journal = {נימוסי שולחן: אוניברסיטת תל-אביב}, year = {2019}, pages = {40-33}, author = {יהודה מורלי} } @article {87047, title = {Une singuli\ère figure de Messie potentiel}, journal = {La R{\`e}gle d{\textquoteright}Abraham}, year = {2018}, pages = {157-174} } @article {2656394, title = {Jeannine Worms}, journal = {A la page}, year = {2018}, author = {Yehuda Moraly} } @article {67396, title = {Night of battle and disguises}, journal = {Segula}, year = {2018}, pages = {26-37} } @article {63358, title = {Herzl\&$\#$39;s psychodrama}, year = {2018}, month = {July 2018}, pages = {16-27}, publisher = {Segula}, url = {http://segulamag.com/en/articles/herzls-psychodrama/}, author = {Yehuda Moraly} } @article {63356, title = {Une parodie proph{\'e}tique}, year = {2018}, pages = {179-201}, publisher = {Pard{\`e}s}, author = {Yehuda Moraly} } @article {63357, title = {Une pi\èce oubli\ée \à l\&$\#$39;origine de l\&$\#$39;\état d\&$\#$39;Isra\ël}, year = {2018}, pages = {10-17}, publisher = {A la page,}, author = {Yehuda Moraly} } @article {63355, title = {A la recherche d\&$\#$39;un nouveau th{\'e}{\^a}tre juif}, year = {2017}, pages = {165-172}, publisher = {Pard{\`e}s}, url = {https://www.cairn.info/revue-pardes-2016-2-p-165.htm}, author = {Yehuda Moraly} } @article {64398, title = {What are the characteristics of Comic acting? Molly Picon (Hebrew)}, journal = {The Israeli journal of Humor Research}, year = {2016} } @article {63354, title = {La pens{\'e}e juive de demain lue dans les r{\^e}ves d\&$\#$39;aujourd\&$\#$39;hui}, year = {2015}, pages = {147-156}, publisher = {Pard{\`e}s}, url = {https://www.cairn.info/revue-pardes-2014-2-p-141.htm}, author = {Yehuda Moraly} } @article {64401, title = {Les myst\ères du Tabernacle, ou reconstuire le Paradis}, journal = {La R{\`e}gle d{\textquoteright}Abraham}, year = {2014}, pages = {11-29}, url = {https://www.ubik-editions.com/product/la-regle-d-abraham-n36} } @article {64402, title = {Federico Fellini\&$\#$39;s Dream project (Hebrew)}, journal = {Bamot umasach}, year = {2013}, pages = {16-33} } @article {64404, title = {Repr{\'e}sentations voil{\'e}es de personnages juifs dans le cinema de la France occupee: Les enfants du paradis (1943)}, journal = {Revue d{\textquoteright}histoire de la Shoah}, year = {2013}, pages = {311-326} } @article {64406, title = {De Samson a Superman}, journal = {Perspectives }, year = {2011}, pages = {9-25} } @article {64405, title = {La Shoah pressentie, la Shoah souhaitee}, journal = {Continuum}, year = {2011}, pages = {63-76} } @article {64408, title = {Paul Claudel : deux pi\èces pour enfants}, journal = {Revue d{\textquoteright}Histoire Litt{\'e}raire de la France}, year = {2010}, pages = {113-128} } @article {64407, title = {R{\^e}ves viennois, Antis{\'e}mitisme et anticipation}, journal = {Perspectives}, year = {2010}, pages = {151-173} } @article {64412, title = {La Terre d\&$\#$39;Isra{\"e}l m{\^e}me, avec ses maisons et ses appartements}, journal = {Pard{\`e}s}, year = {2009}, pages = {135-142}, url = {https://www.cairn.info/revue-pardes-2009-2-page-135.htm} } @article {64419, title = {D{\'e}fense et illustration d\&$\#$39;Abraham Goldfaden}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre}, year = {2008}, pages = {273-286}, url = {http://sht.asso.fr/revue/revue-histoire-theatre-numero-239/} } @article {64415, title = {Le Th{\'e}{\^a}tre des proph{\`e}tes}, journal = {Perspectives}, year = {2006}, pages = {95-106} } @article {64420, title = {Du Soulier de Satin aux Enfants du Paradis}, journal = {Bulletin de la Soci{\'e}t{\'e} Paul Claudel}, year = {2003} } @article {64421, title = {La derni{\`e}re mise en sc{\`e}ne de Victor Garcia}, journal = {Revue {\v d} Histoire du Th{\'e}{\^a}tre}, year = {2003}, pages = {131-144} } @article {64422, title = {Children of Paradise\&$\#$39;s theatrical sources (Hebrew) }, journal = {Bama}, year = {2002}, pages = {56-62} } @article {64423, title = {Theatre is a magical illusion (Hebrew)}, journal = {Bama}, year = {2002}, pages = {5-16} } @article {64424, title = {Collaboration dans la clandestinit{\'e}}, journal = {Perspectives}, year = {2001}, pages = {99-112} } @article {64425, title = {Empreintes et (re)cr{\'e}ation}, journal = {Perspectives}, year = {2000}, pages = {149-154} } @article {64429, title = {Cruaut{\'e}, peste et cr{\'e}ation}, journal = {Perspectives}, year = {1998}, pages = {73-84} } @article {64428, title = {Towards a new Jewish Theatre (Hebrew)}, journal = {Theatre}, year = {1998}, pages = {56-60}, author = {With Sara Moraly} } @article {64433, title = {La for{\^e}t, la folie, la nuit}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre }, year = {1997}, pages = {5-36} } @article {64432, title = {On r{\'e}p{\`e}te T{\^e}te d\&$\#$39;Or}, journal = {Perspectives}, year = {1997}, pages = {37-44} } @article {64434, title = {Genet et Sartre, le dialogue des oeuvres \à partir des deux premiers textes th\éoriques de Jean Genet}, journal = {Revue d{\textquoteright}histoire litt{\'e}raire de la France }, year = {1997}, pages = {102-112}, abstract = {

La revue belge Empreintes consacra en 1950 un num{\'e}ro sp{\'e}cial {\`a} Jean Cocteau. On demanda {\`a} Genet de participer {\`a} l{\textquoteright}hommage rendu au po{\`e}te. Le texte qu{\textquoteright}il {\'e}crivit (Jean Cocteau) n{\textquoteright}a pas {\'e}t{\'e} repris dans les Euvres Compl{\`e}tes comme n{\textquoteright}a pas {\'e}t{\'e} reprise la Lettre {\`a} L{\'e}onor Fini, publi{\'e}e la m{\`e}me ann{\'e}e chez Jacques Loyau. Ces deux textes sont les deux premiers {\'e}crits purement analytiques de Genet. Il les compose en marge de La Mort. Et l{\textquoteright}on retrouve, entre leurs lignes, les th{\`e}mes du grand ouvrage abandonn{\'e}. Comment m{\'e}tamorphoser la th{\'e}fitralit{\'e} des th{\`e}mes oniriques en une forme classique, universelle ? Comment {\'e}riger une nouvelle morale dont les valeurs soient esth{\'e}tiques ? La morale de 1{\textquoteright}artiste ob{\'e}it, elle aussi, au Beau. C{\textquoteright}est par le pinceau ou le style qu{\textquoteright}il parvient {\`a} la saintet{\'e}. D{\textquoteright}autre part, en m{\'e}me temps que Genet {\'e}crit sur Cocteau et Fini, Sartre {\'e}crit sur Genet. Entre Sartre et Genet, il y a eu (pendant quelques ann{\'e}es du moins) un dialogue v{\'e}ritable, un dialogue d{\textquoteright}auvres. Et le Saint Genet va faire {\'e}cho aux id{\'e}es d{\'e}- velopp{\'e}es dans ces deux petits textes : la saintet{\'e} de l{\textquoteright}artiste ; sa n{\'e}cessaire m{\'e}tamorphose.

} } @article {64445, title = {La tetralogi{\`a} de la revolucion}, journal = {Assaig Teatre }, year = {1996}, pages = {63-72} } @article {64436, title = {Le livre impossible}, journal = {Europe}, year = {1996}, pages = {134-143} } @article {64435, title = {The pocket Circus of Jeannine Worms (Hebrew)}, journal = {Bama}, year = {1996}, pages = {59-62} } @article {64430, title = {The Translucent artist (Hebrew)}, journal = {Bama}, year = {1996}, pages = {39-53} } @article {64437, title = {Claudel voyant}, journal = {Bulletin de la Soci{\'e}t{\'e} Paul Claudel}, year = {1995}, pages = {3-26} } @article {64439, title = {De tout coeur}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre }, year = {1994}, pages = {187-189} } @article {64438, title = {Genet\&$\#$39;s Screens: the Poet as a Seer (Hebrew)}, journal = {Bama}, year = {1994}, pages = {52-56} } @article {64440, title = {Les guetteurs et les t{\'e}moins}, journal = {Perspectives}, year = {1994}, pages = {25-52} } @article {64442, title = {Une apologie de la violence}, journal = {Hebrew University Studies in Literature and the Arts}, year = {1993}, pages = {77-88} } @article {64443, title = {Vers un nouveau th{\'e}{\^a}tre sacr{\'e}, trois exp{\'e}riences de th{\'e}{\^a}tre-pri{\`e}re}, journal = {Hebrew University Studies in Literature and the Arts}, year = {1991}, pages = {58-80} } @article {64444, title = {Antoine Vitez: A Copernical revolution in Theatre (Hebrew)}, journal = {Bama}, year = {1990}, pages = {58-62} } @article {64446, title = {Compr{\'e}hension de la f{\'e}erie}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre }, year = {1990}, pages = {279-288} } @article {64447, title = {Giacometti ou Genet sculpteur}, journal = {Hebrew University Studies in Literature and the Arts}, year = {1989}, pages = {95-112} } @article {64449, title = {La critique selon Jean Genet}, journal = {Le Fran{\c c}ais dans le monde }, year = {1988}, pages = {104-109} } @article {64453, title = {Rembrandt ou Genet par lui-m{\^e}me}, journal = {Cahiers de la Diff{\'e}rence}, year = {1988}, pages = {36-41} } @article {64455, title = {Les Signes de l\&$\#$39;Au-del{\`a}}, journal = {Th{\'e}{\^a}tre en Europe}, year = {1987}, pages = {12-19} } @article {64458, title = {Danser la Bible}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre }, year = {1986}, pages = {199-212} } @article {64457, title = {Les cinq vies de Jean Genet}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre }, year = {1986}, pages = {219-245} } @article {64456, title = {Tosca, Tosca, Tosca}, journal = {Textuel 18, Cahiers de la Recherche de l{\textquoteright}Universit{\'e} de Paris VII}, year = {1986}, pages = {71-78} } @article {64462, title = {Claudel et la mise en sc{\`e}ne}, journal = {Bulletin de la Soci{\'e}t{\'e} Paul Claudel}, year = {1985}, pages = {26-30} } @article {64461, title = {Four approaches to \&$\#$39;adame Miroir\&$\#$39; (Hebrew)}, journal = {Bama}, year = {1985}, pages = {35-43} } @article {64465, title = {Le Tombeau du Th{\'e}{\^a}tre}, journal = {Th{\'e}{\^a}tre en Europe }, year = {1985}, pages = {100-113} } @article {64464, title = {Les treize clowns ennemis}, journal = {Th{\'e}{\^a}tre Public}, year = {1984}, pages = {56-68} } @article {64467, title = {Analyse du jeu de l\&$\#$39;acteur}, journal = {Travail th{\'e}{\^a}tral }, year = {1973}, pages = {30-46} }