@article {3156971, title = {Juda\ïsme et souffrance animale}, journal = {La Regle d{\textquoteright}Abraham }, year = {2023}, pages = {21-32}, abstract = {

Le film de propagande Der Ewige Jude (Le Juif {\'e}ternel, 1940) sign{\'e} par Fritz Hippler mais con{\c c}u et dirig{\'e} par Joseph Goebbels lui-m{\^e}me pr{\'e}sente une liste, croissante en gravit{\'e}, des m{\'e}faits commis par l{\textquoteright}ennemi supr{\^e}me, le peuple juif, tout au long de l{\textquoteright}histoire et dans la r{\'e}alit{\'e} contemporaine. De terribles m{\'e}faits qui justifient amplement son extermination, prof{\'e}r{\'e}e par Hitler {\`a} la fin du film, dans un discours {\`a} la Reichstag, le 30 janvier 1939. De tous les crimes dont on accuse le {\guillemotleft}\ Juif {\'e}ternel[1]\ {\guillemotright}, le plus atroce est la cruaut{\'e} suppos{\'e}e du peuple juif envers les animaux. Une insupportable et longue s{\'e}quence montre, en temps r{\'e}el, les abatteurs rituels du ghetto de Lodz d{\'e}filer le couteau {\`a} la main avant d{\textquoteright}{\'e}gorger des vaches. La s{\'e}quence est terrible {\`a} voir. Elle provoqua des {\'e}vanouissements dans les salles o{\`u}, en 1940, le film {\'e}tait projet{\'e}. Les vaches {\'e}gorg{\'e}es par des abatteurs souriants se d{\'e}battent longtemps, en gros plan, dans leur sang. Le discours d{\textquoteright}Hitler, qui suit imm{\'e}diatement, r{\'e}clamant l{\textquoteright}extermination du peuple juif en tant qu{\textquoteright}acte d{\textquoteright}auto-d{\'e}fense, appara{\^\i}t alors comme totalement justifi{\'e}. D{\textquoteright}ailleurs, l{\textquoteright}interdiction de l{\textquoteright}abattage rituel juif fut, le 21 avril 1933, une des premi{\`e}res lois antis{\'e}mites promulgu{\'e}es par le r{\'e}gime nazi.

M{\^e}me aujourd{\textquoteright}hui, le sujet de la cruaut{\'e} de l{\textquoteright}abattage rituel, juif ou musulman, continue de pr{\'e}occuper. Nombreux sont les pays europ{\'e}ens interdisant cet abattage en raison de la souffrance qu{\textquoteright}il entra{\^\i}ne\ : Belgique, Su{\`e}de, Norv{\`e}ge, Islande, Danemark, Slov{\'e}nie, d{\textquoteright}autres encore. Le texte qui suit va s{\textquoteright}interroger sur le rapport de la loi juive {\`a} la souffrance animale, le\ Tsaar baal{\'e} ha{\"\i}m, une souffrance qui, de mani{\`e}re plus g{\'e}n{\'e}rale, dans la Soci{\'e}t{\'e} industrielle contemporaine a pris des proportions effroyables et g{\'e}n{\'e}ralement occult{\'e}es[2].

[1] C{\textquoteright}est la mani{\`e}re dont en allemand on d{\'e}signe le Juif errant.

[2] 80 milliards de b{\^e}tes sont abattues annuellement dans le monde pour l{\textquoteright}industrie alimentaire. 115 millions de b{\^e}tes sont tu{\'e}es chaque ann{\'e}e dans le cadre de l{\textquoteright}exp{\'e}rimentation animale. Le film r{\'e}cent de Caroline du Saint et Damien Vercaemar, L{\textquoteright}usine des animaux, 2022, montre l{\textquoteright}ampleur et la cruaut{\'e} de cet {\'e}levage industriel.

}, author = {Yehuda Moraly} } @article {3156971, title = {Une lueur dans les t\én\èbres: l\&$\#$39;op\ération Torche, l\&$\#$39;\évolution d\&$\#$39;une mentalit\é au travers de quatre films.}, year = {2023}, pages = {60-63}, abstract = {

{\`A} l{\textquoteright}occasion des 80 ans de la date h{\'e}bra{\"\i}que de l{\textquoteright}Op{\'e}ration Torche (28 Hechvan 5703), j{\textquoteright}aimerais comparer quatre films, fictions ou documentaires, qui s{\textquoteright}y r{\'e}f{\`e}rent\ : Candlelight in Algeria (George King, Angleterre, 1944), Le grand rendez-vous (Jean Dr{\'e}ville, France, 1950), La nuit des dupes (Rami Kimhi, Isra{\"e}l, 2015) et L{\textquoteright}Alg{\'e}rie sous Vichy (Jacques Attali, St{\'e}phane Benhamou, France, 2021). Chaque fois, au fil du temps et des mentalit{\'e}s, l{\textquoteright}{\'e}v{\'e}nement est vu d{\textquoteright}une mani{\`e}re diff{\'e}rente, en particulier le r{\^o}le qu{\textquoteright}y joue la France et celui du groupe des r{\'e}sistants (en grande majorit{\'e} juifs) qui neutralis{\`e}rent la ville d{\textquoteright}Alger pendant quinze heures et permirent aux troupes alli{\'e}es d{\textquoteright}entrer {\`a} Alger sans trop de pertes. Au fil des presque\ 80 ans qui s{\'e}parent le premier et le dernier film, on voit dans le traitement du sujet, l{\textquoteright}{\'e}mergence d{\textquoteright}une identit{\'e} juive, d{\textquoteright}abord ni{\'e}e, effac{\'e}e, puis nettement affirm{\'e}e.

} } @booklet {3146931, title = {Jeannine Worms, Actualite Juive}, year = {2023}, abstract = {Jeannine Worms au\ Mus{\'e}e d{\textquoteright}art et d{\textquoteright}histoire du Juda{\"\i}sme}, author = {Yehuda Moraly} } @article {3145744, title = {Evangelical Prophet of Zion}, journal = {Segula}, year = {2023}, pages = {14 - 28}, abstract = {Even before Herzl dreamed of a Jewish state,
Evangelical minister William Hechler was meeting
with pioneering Zionists in Odessa. Calculating
that redemption would begin in 1897, the same
year as the first Zionist Congress, Hechler lent
a hand by arranging an audience for Herzl with
Kaiser Wilhelm II. Who was the Zionist visionary{\textquoteright}s
Christian sidekick, and what were his motives?}, author = {Yehuda Moraly} } @article {3142738, title = {הנביא הנוצרי של מדינת היהודים}, journal = {Segula}, year = {2023}, pages = {14-25}, abstract = {

האיש שמוזכר יותר מכל האחרים ביומנו של הרצל הוא כומר אוונגליסטי. אמונתו הנוצרית של ויליאם הכלר הובילה אותו לציונות. הוא קידם אותה בהתלהבות דתית והעמיד לרשותה את קשריו האריסטוקרטיים. מדוע שמו של הנוצרי שחזה את המדינה לפני חוזה המדינה לא מונצח - ולו בשם של סמטה צרה - במדינה שאותה חזה.

}, author = {Yehuda Moraly} } @booklet {3158624, title = {בין תאודור להרצל}, howpublished = {סגולה}, year = {2023}, pages = {60-65}, abstract = {ביקורת על האופרה\ תאודור\ מאת עידו ריקלין ויונתן כנען, אופרה תל-אביב, 2023.} } @booklet {3146931, title = {האופרה תיאודור מאת עידו ריקלין ויונתן כנען (האופרה הישראלית, מאי 2023) }, howpublished = {סגולה}, year = {2023}, author = {Yehuda Moraly} } @article {3140990, title = {המחזה שביטא זקיפות קומה יהודית עוד לפני הולדת הציונות}, journal = {Makor Rishon}, year = {2022}, abstract = {

אברהם גולדפאדן הקים את תיאטרון היידיש הראשון בשלהי המאה ה־19, ויצירותיו הן אוצר היסטורי שמשקף את החיים היהודיים באותה תקופה. המחזה "בר כוכבא", שיוצג בשבוע הקרוב לראשונה בעברית, ביטא זקיפות קומה יהודית שנים ספורות לפני הולדת הציונות.

}, url = {https://www.makorrishon.co.il/writer/\%d7\%99\%d7\%94\%d7\%95\%d7\%93\%d7\%94-\%d7\%9e\%d7\%95\%d7\%a8\%d7\%9c\%d7\%99/}, author = {Yehuda Moraly and Sara Moraly} } @article {3140464, title = {LES PROPH\ÉTIES D\&$\#$39;ELDAD ET MEDAD SELON LE TARGOUM JONATHAN BEN OUZIEL}, journal = {La Regle d{\textquoteright}Abraham }, volume = {44}, year = {2022}, pages = {25-40}, abstract = {Eldad et Medad sont deux proph{\`e}tes dont on ne parle pratiquement jamais. Il est vrai que leur apparition dans le texte biblique se r{\'e}duit {\`a} un verset : Deux de ces hommes {\'e}taient rest{\'e}s dans le camp, l{\textquoteright}un nomm{\'e} Eldad, le second Medad. L{\textquoteright}esprit se posa {\'e}galement sur eux, car ils {\'e}taient sur la liste, mais ne s{\textquoteright}{\'e}taient pas rendus {\`a} la Tente ; et ils proph{\'e}tis{\`e}rent dans le camp.5 Qui {\'e}taient Eldad et Medad ? Quelles {\'e}taient les proph{\'e}ties qu{\textquoteright}ils ont {\'e}nonc{\'e}es ? Le texte biblique ne nous en dit rien. Le Talmud, le Midrash nous apportent quelques informations {\textendash} et surtout un texte, le Targoum Jonathan ben Ouziel d{\'e}nomm{\'e} par les chercheurs, Targoum Pseudo Jonathan, point sur lequel je reviendrai plus tard.} } @article {3140987, title = {לפיד באפלה}, journal = {Makor Rishon}, year = {2022}, abstract = {

מבצע לפיד, שבו נחתו כוחות הברית בחופי אלג{\textquoteright}יריה, היה התבוסה הראשונה שנחלו הנאצים. הוא הצליח בזכות תושייתה ואומץ ליבה של מחתרת יהודית מקומית, שלא זכתה עד היום להכרה מספקת

}, url = {https://www.makorrishon.co.il/judaism/542669/}, author = {Yehuda Moraly and Sara Moraly} } @booklet {3131143, title = {Le printemps au milieu de l\&$\#$39;hiver}, howpublished = {A la page}, year = {2022}, pages = {17-19}, author = {Yehuda Moraly} } @inbook {3131440, title = {Pour un mus{\'e}e de l\’imaginaire juif - L\’identit{\'e} juive {\`a} la sc{\`e}ne et {\`a} l\’{\'e}cran}, booktitle = {L{\textquoteright}IDENTIT{\'E} EN QUESTION(S)}, year = {2022}, pages = {401-410}, publisher = {{\'E}DITIONS IN PRESS}, organization = {{\'E}DITIONS IN PRESS}, address = {Paris}, abstract = {

Les pi{\`e}ces de th{\'e}{\^a}tre et les films o{\`u} apparaissent des personnages juifs sont

des documents historiques et sociologiques d{\textquoteright}une importance essentielle. D{\'e}cryp-
t{\'e}s, ils d{\'e}finissent la mani{\`e}re dont on per{\c c}oit l{\textquoteright}identit{\'e} juive, {\`a} un moment donn{\'e}

de l{\textquoteright}Histoire et dans une soci{\'e}t{\'e} donn{\'e}e.
Il s{\textquoteright}agit l{\`a} d{\textquoteright}un domaine tr{\`e}s vaste : des milliers de pi{\`e}ces {\'e}crites dans tous
les si{\`e}cles, dans toutes les langues, en particulier en yiddish, en ladino et des
centaines de films, peu analys{\'e}s.
On pr{\'e}sentera ici quelques axes dans les mani{\`e}res dont l{\textquoteright}identit{\'e} juive,
toujours variable, y est saisie.

}, author = {Yehuda Moraly} } @article {3095187, title = {מבוא למחזה הגטו החדש}, journal = {במה}, volume = {287}, year = {2022}, pages = {170-175}, abstract = {

המאמר הזה מהווה מבוא לתרגומו העברי של המחזה שכתב תיאודור הרצל\ הגטו החדש.

}, author = {יהודה מורלי} } @booklet {3095188, title = {הגטו החדש מאת בנימין זאב הרצל}, volume = {במה 287}, year = {2022}, pages = {176-217}, abstract = {תרגום ועיבוד של המחזה היחיד מבין מחזותיו של הרצל העוסק בנושא יהודי}, author = {יהודה מורלי and שרה מורלי} } @book {2224276, title = {Le Th{\'e}{\^a}tre {\`a} domicile}, year = {2021}, pages = {pp. 38-41}, publisher = {A la Page}, organization = {A la Page}, address = {France} } @book {2224276, title = {Dream Projects in Theatre, Novels and Films: The Works of Paul Claudel, Jean Genet and Federico Fellini.}, year = {2021}, pages = {196}, publisher = {Sussex Academic Press}, organization = {Sussex Academic Press}, address = {Brighton}, url = {https://www.amazon.com/Dream-Projects-Theatre-Novels-Films/dp/1789760364/ref=tmm_hrd_swatch_0?_encoding=UTF8\&qid=\&sr=} } @inbook {3040059, title = {Actes de m{\'e}moire : M{\'e}moire et Juda{\"\i}sme dans l\’{\oe}uvre th{\'e}{\^a}trale et litt{\'e}raire de Liliane Atlan (1932-2011)}, booktitle = {Traces et ratures de la m{\'e}moire juive dans le r{\'e}cit contemporain}, year = {2021}, pages = {183-192}, publisher = {Peter Lang}, organization = {Peter Lang}, address = {New York - Oxford}, abstract = {The dramatic work of the French Jewish playwright Lillian Atlan} } @book {2224276, title = {\«Cette lettre [\…] a fait le tour du monde \»}, year = {2021}, pages = {pp. 75-82}, publisher = {Bulletin de la Soci{\'e}t{\'e} Paul Claudel}, organization = {Bulletin de la Soci{\'e}t{\'e} Paul Claudel}, address = {France} } @article {2500071, title = {האף הארוך של הקולנוע הצרפתי}, journal = {Segula}, year = {2021}, pages = {14-23}, abstract = {

המאמר מתאר את הקשר בין התעמולה הגרמנית הישירה לתעמולה של צרפת הכבושה דרך הקולנוע.
המאמר מנתח כמה סרטים איכונים שנחשבים לסרטי דגל של אותה תקופה. המאמר מראה את הנוכחות בתוך הסרט של דמות שלא מוצג כיהודי, אבל בעל מאפיינים הדומים לתעמולה האנטישמית הישירה, כמו למשל:
Les Visiteurs du Soir, Les Enfants du Paradis, Volpone etc.

} } @article {3047473, title = {L\’Enfant aim{\'e} ou je joue {\`a} {\^e}tre une femme mari{\'e}e (1971) :moyen-m{\'e}trage disparu (et retrouv{\'e}) de Chantal Akerman}, journal = {Continuum}, year = {2020}, pages = {250-257}, abstract = {Analysis of the second\ Chantal Akerman film -\ L{\textquoteright}Enfant aim{\'e} ou je joue {\`a} {\^e}tre une femme mari{\'e}e (1971), Film which has disappeared and now has been discovered and analyzed for the first time.}, url = {https://www.researchgate.net/publication/349376277_L{\textquoteright}enfant_aime_ou_je_joue_a_etre_une_femme_mariee}, author = {Yehuda Moraly} } @inbook {2566771, title = {La repr{\'e}sentation du rapport Ma{\^\i}tre-El{\`e}ve dans l\’Univers juif et l\’Art occidental}, booktitle = {La transmission en question(s)}, year = {2020}, pages = {pp. 741-748}, publisher = {In Press}, organization = {In Press}, address = {Paris}, author = {Yehuda Moraly} } @booklet {322141, title = {Le Grand Tombeau des Beaux-Arts}, year = {2020}, pages = {82 pp}, publisher = {Orizons}, address = {Paris}, abstract = {

La forme du Grand Tombeau des Beaux-Arts varie selon l{\textquoteright}endroit o{\`u} on l{\textquoteright}installera : couloirs de th{\'e}{\^a}tre, galerie de peinture, {\'e}cole, arri{\`e}re-boutique o{\`u} l{\textquoteright}on discerne, dans les chasses serties, le riche corps des artistes d{\'e}funts.

Il suffit de peu de place (moiti{\'e} de quelque chose, bout de quoi ?) pour, sur du taffetas noir, disposer les poup{\'e}es souvenirs, Mickey Mouse, Giselle, la comtesse de S{\'e}gur, Verdi, Sarah Bernhardt, Kafka.

Les corps des marionnettes mondiales du r{\^e}ve ne sont pas ensevelis. On les voit dans leurs tombeaux transparents, recouverts de diamants, empanach{\'e}s par des embaumeurs habiles, sur leurs couches capitonn{\'e}es.

Dans le cimeti{\`e}re tous les Arts sont l{\`a}, {\'e}crivains, peintres, cin{\'e}astes, tous les personnages. Chacune des poup{\'e}es a un nom, son histoire.

On appuie sur un petit bouton et des com{\'e}diens prestigieux, pourquoi pas, murmurent les tr{\'e}pas en guirlande, les beaux discours testamentaires. Les derni{\`e}res paroles des stars peuvent {\^e}tre aussi enroul{\'e}es entre leurs doigts de plastique rose, {\'e}crites sur leur front ou projet{\'e}es sur le satin de la chambre mortuaire.

Les textes qui suivent sont donn{\'e}s {\`a} titre d{\textquoteright}exemple : il faudrait une centaine de sarcophages pour que le cimeti{\`e}re soit vraiment habit{\'e}. Mais il me semble qu{\textquoteright}apr{\`e}s avoir entendu quelques r{\'e}cits, le spectateur voudra se reposer. Il devra donc choisir un itin{\'e}raire dans la n{\'e}cropole des momies jouets.

Si on en a les moyens, on peut remplacer les voix par des com{\'e}diennes et des com{\'e}diens qui interpr{\'e}teraient chacun un ou plusieurs personnages.

Quant au lecteur qu{\textquoteright}il choisisse parmi les textes que je propose, deux ou trois, afin de sentir l{\textquoteright}esprit de la promenade th{\'e}{\^a}trale puis qu{\textquoteright}il saute au dernier tombeau, celui d{\textquoteright}Agatha Christie et de l{\textquoteright}inspiration sans fin.

}, url = {https://www.amazon.fr/grand-tombeau-Beaux-Arts-Jean-Bernard-Moraly/dp/B084QKQLPB/ref=sr_1_1?__mk_fr_FR=\%C3\%85M\%C3\%85\%C5\%BD\%C3\%95\%C3\%91\&dchild=1\&keywords=LE+GRAND+TOMBEAU+DES+BEAUX-ARTS\&qid=1591279779\&s=books\&sr=1-1}, author = {Yehuda Moraly} } @book {322140, title = {Revolution in Paradise: veiled representations of Jewish Characters in the cinema of occupied France}, year = {2020}, pages = {Pp. 276}, publisher = {Sussex Academic Press}, organization = {Sussex Academic Press}, address = {Brighton}, abstract = {The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L{\textquoteright}Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.}, url = {https://www.liverpooluniversitypress.co.uk/doi/book/10.3828/9781845197193?fbclid=IwAR1WnMTzCADGJv5Ob6SpOED-VGLK74LwxqSjmSCND9x_jfQoSDFxeTS_Rtw}, author = {Yehuda Moraly} } @article {322142, title = {Wagner and Hitler}, journal = {Segula}, year = {2019}, pages = {51-61}, abstract = {Can a clear path be sketched from Wagner{\textquoteright}s music to Auschwitz? Can one artist{\textquoteright}s work shape history? Wagner{\textquoteright}s oeuvre was beloved by Hitler and played in the concentration camps, accompanying unspeakable acts of cruelty. But is that the composer{\textquoteright}s fault?}, url = {https://www.academia.edu/40868586/Wagner_and_Hitler}, author = {Yehuda Moraly} } @article {87048, title = {Le cirque de poche de Jeannine Worms}, journal = {A la Page}, year = {2019}, pages = {38-43} } @article {322146, title = {Un James Bond m{\'e}taphysique}, journal = {Cahiers de la Com{\'e}die Fran{\c c}aise}, year = {2019}, url = {https://www.comedie-francaise.fr/en/news/un-james-bond-metaphysique$\#$}, author = {Yehuda Moraly} } @article {322145, title = {Un vaccin contre le d\ésespoir, Herzl et le Tikoun Olam dans Altneuland}, journal = {Pardes}, year = {2019}, pages = {89-102}, author = {Yehuda Moraly} } @article {322143, title = {פתרון סופי לעלילה אופראית}, journal = {סגולה}, year = {2019}, pages = {13-3}, url = {https://www.academia.edu/40870114/\%D7\%A4\%D7\%AA\%D7\%A8\%D7\%95\%D7\%9F_\%D7\%A1\%D7\%95\%D7\%A4\%D7\%99_\%D7\%9C\%D7\%A2\%D7\%9C\%D7\%99\%D7\%9C\%D7\%94_\%D7\%90\%D7\%95\%D7\%A4\%D7\%A8\%D7\%90\%D7\%99\%D7\%AA}, author = {יהודה מורלי} } @article {322144, title = {קרקס הכיס של ז\&$\#$39;אנין וורמס}, journal = {נימוסי שולחן: אוניברסיטת תל-אביב}, year = {2019}, pages = {40-33}, author = {יהודה מורלי} } @article {87047, title = {Une singuli\ère figure de Messie potentiel}, journal = {La R{\`e}gle d{\textquoteright}Abraham}, year = {2018}, pages = {157-174} } @article {2656394, title = {Jeannine Worms}, journal = {A la page}, year = {2018}, author = {Yehuda Moraly} } @article {67396, title = {Night of battle and disguises}, journal = {Segula}, year = {2018}, pages = {26-37} } @article {63358, title = {Herzl\&$\#$39;s psychodrama}, year = {2018}, month = {July 2018}, pages = {16-27}, publisher = {Segula}, url = {http://segulamag.com/en/articles/herzls-psychodrama/}, author = {Yehuda Moraly} } @booklet {87049, title = {Le Nouveau Ghetto de Th\éodore Herzl}, year = {2018}, abstract = {Translation}, url = {https://www.amazon.fr/Nouveau-Ghetto-Theodore-Herzl/dp/9659197055/ref=sr_1_1?__mk_fr_FR=\%C3\%85M\%C3\%85\%C5\%BD\%C3\%95\%C3\%91\&crid=3JX47EB19WLAP\&keywords=Le+Nouveau+Ghetto+de+Th\%C3\%A9odore+Herzl\&qid=1692890387\&s=books\&sprefix=le+nouveau+ghetto+de+th\%C3\%A9odore+} } @inbook {64397, title = {Les soixante-dix visages\— J{\'e}rusalem au miroir de la sc{\`e}ne, de l\&$\#$39;{\'e}cran et du petit {\'e}cran}, booktitle = {Si c{\textquoteright}etait Jerusalem}, year = {2018}, pages = {891-895}, publisher = {In Press}, organization = {In Press}, address = {Paris} } @article {63356, title = {Une parodie proph{\'e}tique}, year = {2018}, pages = {179-201}, publisher = {Pard{\`e}s}, author = {Yehuda Moraly} } @article {63357, title = {Une pi\èce oubli\ée \à l\&$\#$39;origine de l\&$\#$39;\état d\&$\#$39;Isra\ël}, year = {2018}, pages = {10-17}, publisher = {A la page,}, author = {Yehuda Moraly} } @article {63355, title = {A la recherche d\&$\#$39;un nouveau th{\'e}{\^a}tre juif}, year = {2017}, pages = {165-172}, publisher = {Pard{\`e}s}, url = {https://www.cairn.info/revue-pardes-2016-2-p-165.htm}, author = {Yehuda Moraly} } @article {64398, title = {What are the characteristics of Comic acting? Molly Picon (Hebrew)}, journal = {The Israeli journal of Humor Research}, year = {2016} } @article {63354, title = {La pens{\'e}e juive de demain lue dans les r{\^e}ves d\&$\#$39;aujourd\&$\#$39;hui}, year = {2015}, pages = {147-156}, publisher = {Pard{\`e}s}, url = {https://www.cairn.info/revue-pardes-2014-2-p-141.htm}, author = {Yehuda Moraly} } @inbook {64399, title = {Representations of the Maharal in theatre and film (Hebrew)}, booktitle = {Maharal: Prolegomena}, year = {2015}, pages = {567-589}, publisher = {The Zalman Shazar center}, organization = {The Zalman Shazar center}, address = {Jerusalem} } @book {64249, title = {R{\'e}volution au Paradis, repr{\'e}sentations voil{\'e}es du Juif dans le cin{\'e}ma de la France occup{\'e}e}, year = {2015}, pages = {345}, publisher = {Elkana}, organization = {Elkana}, address = {Jerusalem}, url = {https://www.youtube.com/watch?v=c4GlwDDzXxE}, author = {Yehuda Moraly} } @inbook {64400, title = {Claudel met en sc{\`e}ne L\’Orestie}, booktitle = {Classicisme et modernit{\'e} dans le th{\'e}{\^a}tre des XX{\`e}me et XXI{\`e}me si{\'e}cles}, year = {2014}, pages = {193-205}, publisher = {Presses Universitaires de Provence}, organization = {Presses Universitaires de Provence} } @article {64401, title = {Les myst\ères du Tabernacle, ou reconstuire le Paradis}, journal = {La R{\`e}gle d{\textquoteright}Abraham}, year = {2014}, pages = {11-29}, url = {https://www.ubik-editions.com/product/la-regle-d-abraham-n36} } @inbook {64403, title = {Dimensions europ\éennes de l\&$\#$39;Institut d\&$\#$39;Hellerau}, booktitle = {El desig teatral d{\textquoteright}Europa }, year = {2013}, pages = {83-98}, publisher = {Punctum}, organization = {Punctum}, address = {Barcelona}, abstract = {

Inspir{\'e} par un anglais (Sir Ebenezer Howard), un allemand (Wolf Dohrn) invite un suisse (Emile-Dalcroze) {\`a} r{\'e}aliser dans une cit{\'e}-{\'e}prouvette de la banlieue de Dresde (Hellerau) une m{\'e}thode de mouvement qui pourrait bien {\^e}tre le laboratoire d{\textquoteright}une humanit{\'e} nouvelle. La m{\'e}thode est enseign{\'e}e {\`a} des {\'e}tudiants venus de l{\textquoteright}Europe enti{\`e}re, qui vont, {\`a} leur tour, l{\textquoteright}enseigner, {\`a} Paris, {\`a} Londres et {\`a} Saint-P{\'e}tersbourg.
Quant aux spectacles donn{\'e}s en 1912 et en 1913 par l{\textquoteright}Institut d{\textquoteright}Hellerau, dans cette petite cit{\'e}-jardin, ils attirent les repr{\'e}sentants de toute l{\textquoteright}{\'e}lite intellectuelle europ{\'e}enne\ : Bernard Shaw, Paul Claudel, Diaghilev, Nijinsky, Stanislavski, Jacques Rouch{\'e}, Georges Pito{\"e}ff, Ernest Bloch, le metteur en sc{\`e}ne anglais Henri Grandville Baker et le surintendant des Th{\'e}{\^a}tres imp{\'e}riaux, le Prince Wolkonsky, qui reviendra {\`a} Hellerau comme {\'e}l{\`e}ve pour y {\'e}tudier la Rythmique, ce qui changera sa vie.
Qu{\textquoteright}est-ce qui attirait l{\textquoteright}Europe enti{\`e}re dans ce th{\'e}{\^a}tre de l{\textquoteright}avenir\ ? D{\`e}s sa cr{\'e}ation, en 1911, l{\textquoteright}Institut d{\textquoteright}Emile Jaques-Dalcroze a une dimension europ{\'e}enne par l{\textquoteright}{\'e}quipe qui l{\textquoteright}anime, les {\'e}tudiants qui apprennent cette nouvelle m{\'e}thode, l{\textquoteright}aspect {\'e}clectique des spectacles qu{\textquoteright}elle pr{\'e}sente, le public qui y assiste, dans cette {\guillemotleft}cath{\'e}drale du futur\ {\guillemotright}, con{\c c}ue (mais pas sign{\'e}e) par Adolphe Appia et derri{\`e}re laquelle on d{\'e}couvre les ombres (inattendues) de Paul Claudel et Martin Buber.

}, url = {https://books.google.co.il/books?id=d4cIAwAAQBAJ\&pg=PA93\&lpg=PA93\&dq=Dimensions+europ\%C3\%A9ennes+de+l\%27Institut+d\%27Hellerau\&source=bl\&ots=AcVAPbHopc\&sig=dqJ-XvHDLbkSD1Nw_2afw-mOvrg\&hl=iw\&sa=X\&ved=2ahUKEwjqgdmXgMndAhVLDMAKHXNfAd0Q6AEwAXoECAkQAQ$\#$v=onepage} } @article {64402, title = {Federico Fellini\&$\#$39;s Dream project (Hebrew)}, journal = {Bamot umasach}, year = {2013}, pages = {16-33} } @book {64248, title = {L\&$\#$39; oeuvre impossible}, year = {2013}, pages = {208}, publisher = {Editions le Manuscrit}, organization = {Editions le Manuscrit}, address = {Paris}, url = {https://www.youtube.com/watch?v=VbmTScL13Eo}, author = {Yehuda Moraly} } @article {64404, title = {Repr{\'e}sentations voil{\'e}es de personnages juifs dans le cinema de la France occupee: Les enfants du paradis (1943)}, journal = {Revue d{\textquoteright}histoire de la Shoah}, year = {2013}, pages = {311-326} } @article {64406, title = {De Samson a Superman}, journal = {Perspectives }, year = {2011}, pages = {9-25} } @article {64405, title = {La Shoah pressentie, la Shoah souhaitee}, journal = {Continuum}, year = {2011}, pages = {63-76} } @article {64408, title = {Paul Claudel : deux pi\èces pour enfants}, journal = {Revue d{\textquoteright}Histoire Litt{\'e}raire de la France}, year = {2010}, pages = {113-128} } @article {64407, title = {R{\^e}ves viennois, Antis{\'e}mitisme et anticipation}, journal = {Perspectives}, year = {2010}, pages = {151-173} } @inbook {64410, title = {La guerre des visages}, booktitle = {Panim/Pnim }, year = {2009}, pages = {325-338}, publisher = {Editions EDK}, organization = {Editions EDK}, address = {Paris}, abstract = {Video presentation}, url = {http://www.editionsdesrosiers.fr/products/panimpnim-l\%C2\%B4exil-prend-il-au-visage/} } @article {64412, title = {La Terre d\&$\#$39;Isra{\"e}l m{\^e}me, avec ses maisons et ses appartements}, journal = {Pard{\`e}s}, year = {2009}, pages = {135-142}, url = {https://www.cairn.info/revue-pardes-2009-2-page-135.htm} } @book {64247, title = {Le Ma{\^\i}tre fou}, year = {2009}, pages = {185 }, publisher = {Librairie Nizet}, organization = {Librairie Nizet}, address = {Saint-Genouph}, url = {https://www.fabula.org/actualites/j-b-moraly-le-maitre-fou-genet-theoricien-du-theatre-1950-1967_31628.php}, author = {Yehuda Moraly} } @booklet {64260, title = {Les merveilles du fond des mers ou un chef d\&$\#$39;{\oe}uvre {\`a} gonfler soi-m{\^e}me}, year = {2009}, pages = {197-209}, publisher = {Continuum}, address = {Tel-Aviv }, author = {Yehuda Moraly} } @inbook {64411, title = {Paul Claudel et les juifs}, booktitle = {Claudel politique}, year = {2009}, pages = {289-304}, publisher = {A{\'e}ropage}, organization = {A{\'e}ropage}, address = {Lens-le-Saulnier} } @inbook {64409, title = {Revolution in Paradise (Hebrew)}, booktitle = {A garden eastward in Eden}, year = {2009}, pages = {351-361}, publisher = {Magnes}, organization = {Magnes}, address = {Jerusalem}, url = {https://www.magnespress.co.il/Book/\%D7\%92\%D7\%9F+\%D7\%91\%D7\%A2\%D7\%93\%D7\%9F+\%D7\%9E\%D7\%A7\%D7\%93\%D7\%9D.aspx?code=45-131116}, editor = {Rachel Elior} } @inbook {64414, title = {Y.L. Peretz and S. An-Sky: A dialogue between works of Art (Hebrew)}, booktitle = {Please don{\textquoteright}t chase me: new studies on An-Sky{\textquoteright}s "Dybuk"}, year = {2009}, publisher = {Assaf}, organization = {Assaf}, address = {Tel-Aviv} } @article {64419, title = {D{\'e}fense et illustration d\&$\#$39;Abraham Goldfaden}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre}, year = {2008}, pages = {273-286}, url = {http://sht.asso.fr/revue/revue-histoire-theatre-numero-239/} } @inbook {64413, title = {Deux utopies o{\`u} nous vivons: Terre ancienne, terre nouvelle, de Th{\'e}odore Herzl et L\&$\#$39;Antigoyisme {\`a} Sion de Jacques Bahar}, booktitle = {Utopies-m{\'e}moire et imaginaire}, year = {2008}, pages = {263-274}, publisher = {Verlag Die Blaue Eule}, organization = {Verlag Die Blaue Eule}, address = {Esser} } @inbook {64416, title = {Corps blancs, corps noirs, corps d{\'e}coup{\'e}s, corps imaginaires}, booktitle = {Th{\'e}{\^a}tres de l{\textquoteright}anatomie}, year = {2006}, pages = {315-327}, publisher = {Peter Lang}, organization = {Peter Lang}, address = {New York}, url = {https://books.google.co.il/books?id=jfZJlJS_4CIC\&pg=PA11\&lpg=PA11\&dq=Th\%C3\%A9\%C3\%A2tres+de+l\%27anatomie\&source=bl\&ots=qv1aM88Ndd\&sig=qa095X1ufXdzL0F7k9D09MuPmxw\&hl=iw\&sa=X\&ved=2ahUKEwi5javdlcndAhVPiIsKHcS4DxcQ6AEwDHoECAIQAQ$\#$v=onepage\&q=Th\%C3\%A9\%C3\%A2tres\%} } @article {64415, title = {Le Th{\'e}{\^a}tre des proph{\`e}tes}, journal = {Perspectives}, year = {2006}, pages = {95-106} } @inbook {64417, title = {De la haine de soi \à l\&$\#$39;ivresse de soi: Le Bapt\ême d\&$\#$39;Alfred Savoir et Fernand Nozi\ère}, booktitle = {Ecrivains en marge du juda{\"\i}sme}, year = {2005}, pages = {171-186}, publisher = {Magnes}, organization = {Magnes}, address = {Jerusalem} } @inbook {64418, title = {Vers un nouveau th{\'e}{\^a}tre secret}, booktitle = {Th{\'e}{\^a}tres interdits, th{\'e}{\^a}tres secrets}, year = {2004}, pages = {157-165}, publisher = { Revue de l{\textquoteright}Histoire du Th{\'e}{\^a}tre}, organization = { Revue de l{\textquoteright}Histoire du Th{\'e}{\^a}tre}, address = {Paris}, url = {http://sht.asso.fr/revue/theatres-interdits-et-secrets/} } @article {64420, title = {Du Soulier de Satin aux Enfants du Paradis}, journal = {Bulletin de la Soci{\'e}t{\'e} Paul Claudel}, year = {2003} } @article {64421, title = {La derni{\`e}re mise en sc{\`e}ne de Victor Garcia}, journal = {Revue {\v d} Histoire du Th{\'e}{\^a}tre}, year = {2003}, pages = {131-144} } @article {64422, title = {Children of Paradise\&$\#$39;s theatrical sources (Hebrew) }, journal = {Bama}, year = {2002}, pages = {56-62} } @article {64423, title = {Theatre is a magical illusion (Hebrew)}, journal = {Bama}, year = {2002}, pages = {5-16} } @inbook {64451, title = {D{\'e}signer, pudiquement, l\&$\#$39;autre monde }, booktitle = {Les Utopies de la Ville}, year = {2001}, pages = {331-336}, publisher = {Presses Universitaires de Franche Comt{\'e}}, organization = {Presses Universitaires de Franche Comt{\'e}}, address = {Besan{\c c}on,} } @article {64424, title = {Collaboration dans la clandestinit{\'e}}, journal = {Perspectives}, year = {2001}, pages = {99-112} } @article {64425, title = {Empreintes et (re)cr{\'e}ation}, journal = {Perspectives}, year = {2000}, pages = {149-154} } @inbook {64426, title = {The failure of the Revolution in Genet\&$\#$39;s The Balcony, Weiss\&$\#$39;s Marat Sade and Mnouchkine\&$\#$39;s 1789}, year = {1999}, pages = {99-104}, publisher = {Assaph}, organization = {Assaph}, address = {Tel Aviv} } @inbook {64427, title = {The Son of the Dove and the Jewish Waiter}, booktitle = {Theatre and Holy Scripts}, year = {1999}, pages = {72-81}, publisher = {Sussex Academic Press}, organization = {Sussex Academic Press}, address = {Fortland }, editor = {Shimon Levy} } @article {64429, title = {Cruaut{\'e}, peste et cr{\'e}ation}, journal = {Perspectives}, year = {1998}, pages = {73-84} } @inbook {64431, title = {Liliane Atlan\&$\#$39;s Un op{\'e}ra pour T{\'e}rezin}, booktitle = {Staging the Holocaust}, year = {1998}, pages = {169-183}, publisher = {Cambridge University Press}, organization = {Cambridge University Press}, address = {Cambridge} } @book {64246, title = {Claudel metteur en sc{\`e}ne, la fronti{\`e}re entre les deux mondes}, year = {1998}, pages = {364}, publisher = {Presses universitaires franc-comtoises}, organization = {Presses universitaires franc-comtoises}, address = {Besan{\c c}on }, url = {https://www.amazon.fr/Claudel-metteur-sc\%C3\%A8ne-fronti\%C3\%A8re-mondes/dp/2251606246}, author = {Yehuda Moraly} } @article {64428, title = {Towards a new Jewish Theatre (Hebrew)}, journal = {Theatre}, year = {1998}, pages = {56-60}, author = {With Sara Moraly} } @article {64433, title = {La for{\^e}t, la folie, la nuit}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre }, year = {1997}, pages = {5-36} } @article {64432, title = {On r{\'e}p{\`e}te T{\^e}te d\&$\#$39;Or}, journal = {Perspectives}, year = {1997}, pages = {37-44} } @article {64434, title = {Genet et Sartre, le dialogue des oeuvres \à partir des deux premiers textes th\éoriques de Jean Genet}, journal = {Revue d{\textquoteright}histoire litt{\'e}raire de la France }, year = {1997}, pages = {102-112}, abstract = {

La revue belge Empreintes consacra en 1950 un num{\'e}ro sp{\'e}cial {\`a} Jean Cocteau. On demanda {\`a} Genet de participer {\`a} l{\textquoteright}hommage rendu au po{\`e}te. Le texte qu{\textquoteright}il {\'e}crivit (Jean Cocteau) n{\textquoteright}a pas {\'e}t{\'e} repris dans les Euvres Compl{\`e}tes comme n{\textquoteright}a pas {\'e}t{\'e} reprise la Lettre {\`a} L{\'e}onor Fini, publi{\'e}e la m{\`e}me ann{\'e}e chez Jacques Loyau. Ces deux textes sont les deux premiers {\'e}crits purement analytiques de Genet. Il les compose en marge de La Mort. Et l{\textquoteright}on retrouve, entre leurs lignes, les th{\`e}mes du grand ouvrage abandonn{\'e}. Comment m{\'e}tamorphoser la th{\'e}fitralit{\'e} des th{\`e}mes oniriques en une forme classique, universelle ? Comment {\'e}riger une nouvelle morale dont les valeurs soient esth{\'e}tiques ? La morale de 1{\textquoteright}artiste ob{\'e}it, elle aussi, au Beau. C{\textquoteright}est par le pinceau ou le style qu{\textquoteright}il parvient {\`a} la saintet{\'e}. D{\textquoteright}autre part, en m{\'e}me temps que Genet {\'e}crit sur Cocteau et Fini, Sartre {\'e}crit sur Genet. Entre Sartre et Genet, il y a eu (pendant quelques ann{\'e}es du moins) un dialogue v{\'e}ritable, un dialogue d{\textquoteright}auvres. Et le Saint Genet va faire {\'e}cho aux id{\'e}es d{\'e}- velopp{\'e}es dans ces deux petits textes : la saintet{\'e} de l{\textquoteright}artiste ; sa n{\'e}cessaire m{\'e}tamorphose.

} } @article {64445, title = {La tetralogi{\`a} de la revolucion}, journal = {Assaig Teatre }, year = {1996}, pages = {63-72} } @article {64436, title = {Le livre impossible}, journal = {Europe}, year = {1996}, pages = {134-143} } @article {64435, title = {The pocket Circus of Jeannine Worms (Hebrew)}, journal = {Bama}, year = {1996}, pages = {59-62} } @article {64430, title = {The Translucent artist (Hebrew)}, journal = {Bama}, year = {1996}, pages = {39-53} } @article {64437, title = {Claudel voyant}, journal = {Bulletin de la Soci{\'e}t{\'e} Paul Claudel}, year = {1995}, pages = {3-26} } @article {64439, title = {De tout coeur}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre }, year = {1994}, pages = {187-189} } @article {64438, title = {Genet\&$\#$39;s Screens: the Poet as a Seer (Hebrew)}, journal = {Bama}, year = {1994}, pages = {52-56} } @article {64440, title = {Les guetteurs et les t{\'e}moins}, journal = {Perspectives}, year = {1994}, pages = {25-52} } @article {64442, title = {Une apologie de la violence}, journal = {Hebrew University Studies in Literature and the Arts}, year = {1993}, pages = {77-88} } @inbook {64441, title = {La Princesse derri{\`e}re le rideau}, booktitle = {Question de 94}, year = {1993}, pages = {206-226}, editor = {Albin Michel} } @article {64443, title = {Vers un nouveau th{\'e}{\^a}tre sacr{\'e}, trois exp{\'e}riences de th{\'e}{\^a}tre-pri{\`e}re}, journal = {Hebrew University Studies in Literature and the Arts}, year = {1991}, pages = {58-80} } @article {64444, title = {Antoine Vitez: A Copernical revolution in Theatre (Hebrew)}, journal = {Bama}, year = {1990}, pages = {58-62} } @article {64446, title = {Compr{\'e}hension de la f{\'e}erie}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre }, year = {1990}, pages = {279-288} } @inbook {64466, title = {Il Balcone come tomba}, booktitle = {Il teatro di Jean Genet}, year = {1990}, pages = {107-125}, address = {Milano} } @inbook {64448, title = {Claudel and Vitez direct Moli{\`e}re}, booktitle = {The Play out of Context}, year = {1989}, pages = {139-145}, publisher = {Cambridge University Press}, organization = {Cambridge University Press}, address = {Cambridge} } @article {64447, title = {Giacometti ou Genet sculpteur}, journal = {Hebrew University Studies in Literature and the Arts}, year = {1989}, pages = {95-112} } @book {64503, title = {Jean Genet. Biograf{\'\i}a de un escritor maldito (Spanish translation of Genet la vie ecrite)}, year = {1989}, pages = {327}, address = {Barcelona}, url = {https://www.todocoleccion.net/libros-segunda-mano-biografias/jean-genet-biografia-un-escritor-maldito-jean-bernard-moraly-tdk111~x100198192} } @inbook {64452, title = {Aller jusqu\&$\#$39;au bout de soi-m{\^e}me}, booktitle = {Les N{\`e}gres au port de la lune}, year = {1988}, pages = {111-114}, publisher = {Editions de la Difference}, organization = {Editions de la Difference}, address = {Paris}, editor = {Jean-Bernard Moraly} } @inbook {64454, title = {Claudel et Genet, th{\'e}oriciens du Th{\'e}{\^a}tre}, booktitle = {La dramaturgie claud{\'e}lienne}, year = {1988}, pages = {225-238}, publisher = {Editions Klincksieck}, organization = {Editions Klincksieck}, address = {Paris}, editor = {Pierre Brunel} } @article {64449, title = {La critique selon Jean Genet}, journal = {Le Fran{\c c}ais dans le monde }, year = {1988}, pages = {104-109} } @book {64498, title = {Les negres au port de la lune}, year = {1988}, pages = {286}, publisher = {Editions de la Difference}, organization = {Editions de la Difference}, address = {Paris}, url = {https://www.amazon.fr/n\%C3\%A8gres-port-lune-Genet-diff\%C3\%A9rences/dp/B00HUQXZN6} } @inbook {64450, title = {Pour Abdallah}, booktitle = {Les N{\`e}gres au port de la lune}, year = {1988}, pages = {205-219}, editor = {Jean-Bernard Moraly} } @article {64453, title = {Rembrandt ou Genet par lui-m{\^e}me}, journal = {Cahiers de la Diff{\'e}rence}, year = {1988}, pages = {36-41} } @book {64245, title = {La vie {\'e}crite}, year = {1988}, note = {

This book has been translated into Spanish and Japanese.

}, pages = {355}, publisher = {Editions de la Diff{\'e}rence}, organization = {Editions de la Diff{\'e}rence}, address = {Paris}, url = {https://www.amazon.fr/Jean-Genet-\%C3\%A9crite-Jean-Bernard-Moraly/dp/2729102906}, author = {Yehuda Moraly} } @article {64455, title = {Les Signes de l\&$\#$39;Au-del{\`a}}, journal = {Th{\'e}{\^a}tre en Europe}, year = {1987}, pages = {12-19} } @inbook {64459, title = {Adolphe Appia, Paul Claudel und Martin Buber : ein paar hypothesen}, booktitle = {Paul Claudel auf deutschprachigen B{\"u}hnen}, year = {1986}, pages = {45-51}, address = {Munich}, author = {Landau, Erwin Maria} } @article {64458, title = {Danser la Bible}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre }, year = {1986}, pages = {199-212} } @proceedings {64460, title = {Ida Rubinstein et le th{\'e}{\^a}tre juif}, year = {1986}, pages = {197-204} } @article {64457, title = {Les cinq vies de Jean Genet}, journal = {Revue d{\textquoteright}Histoire du Th{\'e}{\^a}tre }, year = {1986}, pages = {219-245} } @article {64456, title = {Tosca, Tosca, Tosca}, journal = {Textuel 18, Cahiers de la Recherche de l{\textquoteright}Universit{\'e} de Paris VII}, year = {1986}, pages = {71-78} } @booklet {64259, title = {Strip}, year = {1986}, pages = {64-84}, publisher = {Avant-Sc{\`e}ne}, address = {Paris}, author = {Yehuda Moraly} } @article {64462, title = {Claudel et la mise en sc{\`e}ne}, journal = {Bulletin de la Soci{\'e}t{\'e} Paul Claudel}, year = {1985}, pages = {26-30} } @article {64461, title = {Four approaches to \&$\#$39;adame Miroir\&$\#$39; (Hebrew)}, journal = {Bama}, year = {1985}, pages = {35-43} } @article {64465, title = {Le Tombeau du Th{\'e}{\^a}tre}, journal = {Th{\'e}{\^a}tre en Europe }, year = {1985}, pages = {100-113} } @inbook {64463, title = {Vers une nouvelle formule de th{\'e}{\^a}tre musical}, booktitle = {Hommages {\`a} Jacques Petit, }, volume = {1}, year = {1985}, pages = {457-472}, publisher = {Presses Universitaires de Franche-Comt{\'e}}, organization = {Presses Universitaires de Franche-Comt{\'e}}, address = {Besan{\c c}on } } @article {64464, title = {Les treize clowns ennemis}, journal = {Th{\'e}{\^a}tre Public}, year = {1984}, pages = {56-68} } @booklet {64258, title = {Tombeaux de poup{\'e}es}, year = {1983}, pages = {52 }, publisher = {Th{\'e}{\^a}tre National du Palais de Chaillot, Paris}, author = {Yehuda Moraly} } @book {64499, title = {Lecture d une oeuvre: La cantatrice chauve}, year = {1980}, url = {https://www.lalibrairie.com/livres/la-cantatrice-chauve-de-ionesco_0-650321_9782729400644.html} } @book {64500, title = {Lecture d une oeuvre: La planete des singes}, year = {1980}, url = {https://www.amazon.fr/plan\%C3\%A8te-singes-Pierre-Boulle/dp/B0014IPOJE/ref=sr_1_2?s=books\&ie=UTF8\&qid=1537435722\&sr=1-2\&refinements=p_27\%3AJean-Bernard+Moraly} } @booklet {64501, title = {Sissi en enfer (Nouveau th{\'e}{\^a}tre)}, year = {1975}, pages = {63}, url = {https://www.amazon.fr/Sissi-en-enfer-Nouveau-th\%C3\%A9\%C3\%A2tre/dp/B0014KOFUQ/ref=sr_1_9?s=books\&ie=UTF8\&qid=1537435722\&sr=1-9\&refinements=p_27\%3AJean-Bernard+Moraly} } @article {64467, title = {Analyse du jeu de l\&$\#$39;acteur}, journal = {Travail th{\'e}{\^a}tral }, year = {1973}, pages = {30-46} } @booklet {64254, title = {Les Catcheuses}, year = {1973}, pages = {52}, edition = {Editions de Babel }, address = {Paris}, author = {Yehuda Moraly} }